Do you ever suffer from performance anxiety? Most of us do at times.
It seems to me that people’s communication difficulties can quite often be summed up as follows:
- They hold a fixed image of what excellence looks like – a platonic ideal if you like.
- They have a negative image of their own performance that doesn’t match up to the ideal.
- They have decided that their performance has got to look like their ideal of excellence – only it doesn’t.
Result: Impasse. They’re stuck.
People tend to express stuckness by freezing. They are literally petrified (turned to stone). When you’re petrified, your body becomes rigid and unbending; your voice become inflexible and monotonous, and your brain becomes inelastic and turgid.
Many react to freezing by trying very hard, but the effort results in stiffness and rigidity nonetheless. Their over-reliance on preparation and control always produces a predictable and inflexible delivery.
What do the best performers do?
So what might we learn from the best performers? Well, let’s acknowledge first of all, they’re not immune to fear – far from it, there are innumerable examples of brilliant performers who suffer from severe stage fright – I recount some of them in my books. But they don’t insist on a particular ideal of perfection, so they’re not caught in that double bind of gotta/can’t.
The best performers leap into their fear, which means letting go of expectation, and accepting that today’s performance – however it turns out – is today’s, maybe the best or maybe not, but unique and unrepeatable.
So, for example, Dame Judy Dench doesn’t have a set prepared way of performing and prefers live performance to film just because it isn’t fixed. An interviewer suggested to her that the secret to it all is preparation, and she disagreed:
No, I like to feel real fear. … It’s to do with freefalling. I think that’s exactly what it is.
I find it too hard to cope (in film) with that idea that you can’t change it. I love the way in theatre that you can change it every night. (from an interview with Rim Adams in The Observer)
In my book Butterflies and Sweaty Palms, I record driving some actors to a filming session and watching Monty Python comedian John Cleese record a business video for Video Arts. The same short scene was repeated several times, and each time Cleese played his part a little differently, every time wonderfully funny. His variations kept the rest of the cast on their toes, and at times they struggled to keep a straight face as he produced an unexpected comic twist or trick of timing. On one take, no one could hold it any longer, and the scene collapsed into general laughter. They achieved some great takes that day.
Performing well is very different from getting it right. It’s an act of creation – re-creation if you like – and however consistent the content every performance is different. Top musicians understand this well. There’s no definitive performance; today’s performance is today’s; tomorrow’s belongs to tomorrow – however familiar, it’s all exploration; it’s all play.
Stuckness in life
Now that translates into life too. In the charming novel The Little Paris Bookshop by Nina George, the protagonist Jean Perdu remains stuck for 20 years, unable to love again because of a disastrous love affair in his youth. Things change only when at last he’s able to look at what happened in the face and therefore let go.
An impasse is like a syllogism that doesn’t work:
I left my boyfriend for my career, and good people don’t do that.
I’m a good person.
I did that.
Just another variation on gotta/can’t.
So long as we cling to certainty about the rightness of our thinking, the logic doesn’t work, and we can’t look at the situation square on without confusion and suffering. So we don’t look, and a part of us numbs down, which means one part less for loving and caring. Such a situation can endure for decades – even a lifetime – until we dare to look it directly in the face.
No wonder fairy stories and legends abound with themes of being turned into stone or killed by looking – Medusa, the basilisk … We are terrified to look at our thinking.
So, what’s wrong with the thinking that gets us stuck?
1. Dead seriousness – I/we take ourselves too seriously.
Lighten up – it definitely won’t hurt, and it’ll probably greatly improve your every endeavour. “The only difference between a wise man and a fool is that the wise man knows he’s playing,” said Fritz Perls.
2. Insistence on perfection or rightness
The king of pianists, Vladimir Horowitz, said that perfection itself is imperfection. If perfection is just getting the right notes or words in the right order, of course it’s imperfection; it’s only a fraction of the story when you’re communicating – and living. Concentrate on the rest – energy, feeling, connection, desire, empathy, understanding… anything but correctness in fact!
3. Clinging on – to control, practice, preparation, consistency, the idea that it’s got to be a particular way for whatever reason
Let go – accept whatever transpires; get your ego out of the way. Or as Brene Brown, who often puts things well, says: “What’s the greater risk? Letting go of what people think – or letting go of how I feel, what I believe, and who I am?” Better a vulnerable living-breathing-human-being than an error-free-robot every time.
Enjoy the dance!
Over the years this 2-day workshop has made a big difference to people. I found the course fabulous, probably the best course I’ve been on. Got so much from it. wrote Susan Nimmo RBS. Numerous other testimonials here. I continue to get enquiries about the course and would like very much to run it again, but need someone to get people together and organise it. If that’s you, let me know! If you want to express your interest in attending the course, likewise let me know.
If you’ve found today’s blog interesting, you may like to follow up the topic in my book, Butterflies and Sweaty Palms in book or e-form.
All my books are about communication, so here are the rest!
The Art of Conversation
Conversational skill isn’t really about being articulate and having a fund of things to talk about – though that’s what most books on the subject would suggest. It’s more about being at ease with who you are and knowing how to connect with others. Only then do you have authentic and satisfying conversations.
Voice and Speaking Skills for Dummies
The perfect resource to dip into to discover the power of your voice, understand how it works and use it like a professional, whether in meetings, addressing an audience, or standing in front of a classroom.
Voice of Influence
“The body language of sound”. Like body language, your voice gives you away. Find your authentic voice, speak powerfully and influentially, and reach people on a deeper level.
By the way, there’s a free download for educators of a neat 9-page story book called (Un) Stuck here – probably not intended for the general reader but relevant to many of us just the same.
Feeling stuck? Need an impartial listening ear?Decision time? A few simple conversations with a coach can be life changing and worth the investment many times over. Email me or call me on 01306 886114 if you want an initial conversation about what coaching might do for you.
Is your voice too quiet, boring, untuneful or effortful? It’s not just what you say, it’s how you say it. Do you realise what an amazing potential resource you have in your voice? If you don’t like your voice, you can change it; you’ll experience positive results after even a single coaching session. Email me or call me on 01306 886114.
Have you heard of the Presencing Institute, based at MIT? Some great resources, courses, videos, ideas – have a look.
Download some of my E-courses
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